I Want to Be in Fabric
30s preview
- Key
- 8A · A minor
- BPM
- 132
- Open Key
- 1m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2016
- Genre
- Uk Garage
- Loudness
- -4.5 dB
- Dynamics
- 10.2 dB
- ISRC
- GBCPZ1617406
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in A minor (8A), I Want to Be in Fabric is a peak-time tempo uk garage production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2016 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Want to Be in Fabric in?
I Want to Be in Fabric by Todd Edwards is in A minor, or 8A on the Camelot wheel.
What BPM is I Want to Be in Fabric?
I Want to Be in Fabric runs at 132 BPM, a peak-time tempo track.
What mixes well with I Want to Be in Fabric?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is I Want to Be in Fabric good for peak time?
With energy 72 out of 100 at 132 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.