Fool Me Twice by Bakey cover art

Fool Me Twice

Bakey

Key
6A · G minor
BPM
143
Half-time
72
Open Key
11m
Energy
95/100
Pop
0/100
Length
3:56
Released
2025
Genre
Uk Garage
Loudness
-3.8 dB
ISRC
USA2P2544597

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 143 BPM in G minor (6A), Fool Me Twice is a driving up-tempo uk garage production. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. Less groove-driven than 99% of Bakey's catalogue. In a set it works best as a high-intensity peak cut.

Reach:
more underground than 99% of Bakey's catalogue
Energy:
hotter than 89% of Bakey's catalogue
Tempo:
faster than 84% of Bakey's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood18Dark
Groove40
Acoustic3
Instrumental81
Live27
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fool Me Twice in?

Fool Me Twice by Bakey is in G minor, or 6A on the Camelot wheel.

What BPM is Fool Me Twice?

Fool Me Twice runs at 143 BPM, a driving up-tempo track.

What mixes well with Fool Me Twice?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Fool Me Twice good for peak time?

With energy 95 out of 100 at 143 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 143 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 143 — beatmatch without a big tempo pull.

#TrackKey·BPM

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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