Stand Up
- BPM
- 130
- Open Key
- 5m
- Energy
- 78/100
- Pop
- 22/100
- Length
- 5:32
- Released
- 2024
- Genre
- Uk Garage
- Loudness
- -6.5 dB
- ISRC
- GBEXH2400054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stand Up: peak-time tempo uk garage, D♭ minor (12A), 130 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Groovier than 90% of MJ Cole's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 88% of MJ Cole's catalogue
- Energy:
- hotter than 75% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stand Up in?
Stand Up by MJ Cole is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Stand Up?
Stand Up runs at 130 BPM, a peak-time tempo track.
What mixes well with Stand Up?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Stand Up good for peak time?
With energy 78 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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