House Shh - Pinto (NYC) One Two Edit
- BPM
- 130
- Open Key
- 4m
- Energy
- 75/100
- Pop
- 6/100
- Length
- 5:11
- Released
- 2024
- Album
- House Shh (Remixes)
- Genre
- House
- Loudness
- -7.5 dB
- ISRC
- GBKQU2461677
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- House Shh - Instrumental Mixoriginal11A · 126
- House Shh - Angelo Ferreri Remixremix4A · 125
- House Shhoriginal11A · 126
- House Shh - Angelo Ferreri Extended Remixremix3B · 125
Against the original (11A at 126 BPM), this version runs 4 BPM faster in the same key.
House Shh - Pinto (NYC) One Two Edit runs 130 BPM in F♯ minor (11A), a peak-time tempo house record. The feel is punchy, neutral in mood. Faster than 98% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 96% of Todd Terry's catalogue
- Reach:
- better known than 84% of Todd Terry's catalogue
- Energy:
- calmer than 83% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is House Shh - Pinto (NYC) One Two Edit in?
House Shh - Pinto (NYC) One Two Edit by Todd Terry is in F♯ minor, or 11A on the Camelot wheel.
What BPM is House Shh - Pinto (NYC) One Two Edit?
House Shh - Pinto (NYC) One Two Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with House Shh - Pinto (NYC) One Two Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is House Shh - Pinto (NYC) One Two Edit good for peak time?
With energy 75 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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