Contact
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 66/100
- Pop
- 3/100
- Length
- 5:43
- Released
- 2000
- Genre
- House
- Loudness
- -10.8 dB
- Dynamics
- 21.2 dB
- ISRC
- GBCPZ0100351
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 130 BPM in B minor (10A), Contact is a peak-time tempo house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2000 production that still circulates in sets. Less groove-driven than 94% of Roger Sanchez's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 93% of Roger Sanchez's catalogue
- Low end:
- more treble-tilted than 89% of Roger Sanchez's catalogue
- Energy:
- calmer than 84% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Contact in?
Contact by Roger Sanchez is in B minor, or 10A on the Camelot wheel.
What BPM is Contact?
Contact runs at 130 BPM, a peak-time tempo track.
What mixes well with Contact?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Contact good for peak time?
With energy 66 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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