Don't Believe the Hype - Surkin Remix No.1
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 67/100
- Pop
- 2/100
- Length
- 4:48
- Released
- 2007
- Album
- Don't Believe The Hype
- Genre
- Techno
- Loudness
- -11.7 dB
- Dynamics
- 14.8 dB
- ISRC
- DEDU20700046
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Believe the Hypeoriginal9A · 123
- Don't Believe the Hype - Surkin Remix No.2remix1B · 122
- Don't Believe the Hype - Housemeister Remixremix4B · 128
- Don't Believe the Hype - Proxy Remixremix11B · 123
- Don´t Believe The Hypeoriginal9A · 123
Against the original (9A at 123 BPM), this version runs 7 BPM faster and moves the key from 9A to 11B.
Don't Believe the Hype - Surkin Remix No.1 runs 130 BPM in A major (11B), a peak-time tempo techno record. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2007 production that still circulates in sets. More treble-tilted than 98% of Boys Noize's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 97% of Boys Noize's catalogue
- Energy:
- calmer than 84% of Boys Noize's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Don't Believe the Hype - Surkin Remix No.1 in?
Don't Believe the Hype - Surkin Remix No.1 by Boys Noize is in A major, or 11B on the Camelot wheel.
What BPM is Don't Believe the Hype - Surkin Remix No.1?
Don't Believe the Hype - Surkin Remix No.1 runs at 130 BPM, a peak-time tempo track.
What mixes well with Don't Believe the Hype - Surkin Remix No.1?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Don't Believe the Hype - Surkin Remix No.1 good for peak time?
With energy 67 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Boys Noize
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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