Don't Believe the Hype - Housemeister Remix
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 5:59
- Released
- 2008
- Album
- Oi Oi Oi Remixed
- Genre
- Techno
- Loudness
- -5.6 dB
- Dynamics
- 11.8 dB
- ISRC
- DEDU20800099
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Believe the Hypeoriginal9A · 123
- Don't Believe the Hype - Surkin Remix No.1remix11B · 130
- Don't Believe the Hype - Surkin Remix No.2remix1B · 122
- Don't Believe the Hype - Proxy Remixremix11B · 123
- Don´t Believe The Hypeoriginal9A · 123
Against the original (9A at 123 BPM), this version runs 5 BPM faster and moves the key from 9A to 4B.
A peak-time tempo techno cut, Don't Believe the Hype - Housemeister Remix sits in A♭ major (4B) at 128 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Spoken-word passages run through it. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Boys Noize's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 92% of Boys Noize's catalogue
- Groove:
- less groove-driven than 83% of Boys Noize's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Don't Believe the Hype - Housemeister Remix in?
Don't Believe the Hype - Housemeister Remix by Boys Noize is in A♭ major, or 4B on the Camelot wheel.
What BPM is Don't Believe the Hype - Housemeister Remix?
Don't Believe the Hype - Housemeister Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Don't Believe the Hype - Housemeister Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Don't Believe the Hype - Housemeister Remix good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Boys Noize
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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