Never Leave
30s preview
- BPM
- 132
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 3/100
- Length
- 6:48
- Released
- 2003
- Genre
- Uk Garage
- Loudness
- -6.8 dB
- Dynamics
- 9.8 dB
- ISRC
- GBCPZ0319588
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Never Leave is a peak-time tempo uk garage track in D♭ major (3B) at 132 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2003 production that still circulates in sets. Brighter than 81% of Todd Edwards's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Never Leave in?
Never Leave by Todd Edwards is in D♭ major, or 3B on the Camelot wheel.
What BPM is Never Leave?
Never Leave runs at 132 BPM, a peak-time tempo track.
What mixes well with Never Leave?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Never Leave good for peak time?
With energy 65 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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