You’re Mine by MJ Cole cover art

You’re Mine

MJ Cole

30s preview

Key
8A · A minor
BPM
132
Open Key
1m
Energy
64/100
Pop
0/100
Length
4:38
Released
2000
Genre
Uk Garage
Loudness
-8.1 dB
Dynamics
12.3 dB
ISRC
GBF080000070

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

You’re Mine is a peak-time tempo uk garage track in A minor (8A) at 132 BPM. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2000 production that still circulates in sets. More underground than 99% of MJ Cole's catalogue.

Groove:
groovier than 92% of MJ Cole's catalogue
Low end:
more treble-tilted than 85% of MJ Cole's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood74Bright
Groove88
Acoustic22
Instrumental0
Live13
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is You’re Mine in?

You’re Mine by MJ Cole is in A minor, or 8A on the Camelot wheel.

What BPM is You’re Mine?

You’re Mine runs at 132 BPM, a peak-time tempo track.

What mixes well with You’re Mine?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is You’re Mine good for peak time?

With energy 64 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from MJ Cole

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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