The Daisy by Ross From Friends cover art

30s preview

Key
1A · A♭ minor
BPM
132
Open Key
6m
Energy
61/100
Pop
28/100
Length
5:38
Released
2021
Genre
House
Loudness
-12.4 dB
Dynamics
15.1 dB
ISRC
GBCFB2100332

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo house cut, The Daisy sits in A♭ minor (1A) at 132 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 83% of Ross From Friends's catalogue. For programming, treat it as a mid-set roller.

Tempo:
faster than 83% of Ross From Friends's catalogue
Brightness:
darker than 83% of Ross From Friends's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood25Dark
Groove70
Acoustic31
Instrumental16
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Daisy in?

The Daisy by Ross From Friends is in A♭ minor, or 1A on the Camelot wheel.

What BPM is The Daisy?

The Daisy runs at 132 BPM, a peak-time tempo track.

What mixes well with The Daisy?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is The Daisy good for peak time?

With energy 61 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 132 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Ross From Friends

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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