Be a Friend by Todd Edwards cover art

Be a Friend

Todd Edwards

30s preview

Key
6A · G minor
BPM
132
Open Key
11m
Energy
55/100
Pop
2/100
Length
6:33
Released
2003
Genre
Uk Garage
Loudness
-5.2 dB
Dynamics
9.1 dB
ISRC
GBCPZ0317403

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo uk garage cut, Be a Friend sits in G minor (6A) at 132 BPM. It reads as bright and easy. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2003 production that still circulates in sets. Calmer than 87% of Todd Edwards's catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 85% of Todd Edwards's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood82Bright
Groove90
Acoustic0
Instrumental1
Live6
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Be a Friend in?

Be a Friend by Todd Edwards is in G minor, or 6A on the Camelot wheel.

What BPM is Be a Friend?

Be a Friend runs at 132 BPM, a peak-time tempo track.

What mixes well with Be a Friend?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Be a Friend good for peak time?

With energy 55 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 132 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Todd Edwards

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.