It’s About the Time (original mix)
30s preview
- Key
- 8A · A minor
- BPM
- 62
- Double-time
- 124
- Open Key
- 1m
- Energy
- 56/100
- Pop
- 31/100
- Length
- 3:56
- Released
- 2012
- Genre
- Deep House
- Loudness
- -10.2 dB
- Dynamics
- 9.7 dB
- ISRC
- QMSNZ1258477
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
It’s About the Time (original mix): deep house, A minor (8A), 62 BPM. Tonally it lands balanced in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Slower than 99% of Stereoclip's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 85% of Stereoclip's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is It’s About the Time (original mix) in?
It’s About the Time (original mix) by Stereoclip is in A minor, or 8A on the Camelot wheel.
What BPM is It’s About the Time (original mix)?
It’s About the Time (original mix) runs at 62 BPM.
What mixes well with It’s About the Time (original mix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is It’s About the Time (original mix) good for peak time?
With energy 56 out of 100 at 62 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 62 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 58-66 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 62 — beatmatch without a big tempo pull.
More deep house
More from Stereoclip
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 62 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
