Ain’t It Amazing by Shimza cover art

Ain’t It Amazing

Shimza

30s preview

Key
2B · F♯ major
BPM
118
Open Key
7d
Energy
67/100
Pop
29/100
Length
4:24
Released
2024
Album
Dreaming
Genre
Tribal House
Loudness
-10.7 dB
Dynamics
19.1 dB
ISRC
US23A1588343

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 118 BPM in F♯ major (2B), Ain’t It Amazing is a mid-tempo tribal house production. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). Slower than 98% of Shimza's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 90% of Shimza's catalogue
Groove:
less groove-driven than 78% of Shimza's catalogue
Reach:
better known than 77% of Shimza's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood38Balanced
Groove66
Acoustic6
Instrumental41
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Ain’t It Amazing in?

Ain’t It Amazing by Shimza is in F♯ major, or 2B on the Camelot wheel.

What BPM is Ain’t It Amazing?

Ain’t It Amazing runs at 118 BPM, a mid-tempo track.

What mixes well with Ain’t It Amazing?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Ain’t It Amazing good for peak time?

With energy 67 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 118 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More tribal house

#TrackKey·BPM

More from Shimza

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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