Through & Through (LL mix)
30s preview
- BPM
- 117
- Open Key
- 3m
- Energy
- 68/100
- Pop
- 16/100
- Length
- 5:53
- Released
- 2021
- Genre
- Progressive House
- Loudness
- -11.6 dB
- Dynamics
- 10.0 dB
- ISRC
- GBEWA2103903
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Through & Through (LL mix) runs 117 BPM in B minor (10A), a mid-tempo progressive house record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 81% of Leaving Laurel's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Through & Through (LL mix) in?
Through & Through (LL mix) by Leaving Laurel is in B minor, or 10A on the Camelot wheel.
What BPM is Through & Through (LL mix)?
Through & Through (LL mix) runs at 117 BPM, a mid-tempo track.
What mixes well with Through & Through (LL mix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Through & Through (LL mix) good for peak time?
With energy 68 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 117 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
![Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] by David Hasert cover art](https://i.scdn.co/image/ab67616d00001e02064f5ee13e0f1d1e84e64212){kind=small}
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.