Brokenhearted - Timo Mass & James Teej Remix by Kidnap cover art

Brokenhearted - Timo Mass & James Teej Remix

Kidnap

30s preview

Key
4B · A♭ major
BPM
123
Open Key
9d
Energy
45/100
Pop
0/100
Length
6:22
Released
2016
Album
Brokenhearted EP
Genre
Punk
Loudness
-14.5 dB
Dynamics
16.2 dB
ISRC
GBMKA1686529

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12A at 120 BPM), this version runs 3 BPM faster and moves the key from 12A to 4B.

At 123 BPM in A♭ major (4B), Brokenhearted - Timo Mass & James Teej Remix is a club-tempo punk production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2016 production that still circulates in sets. More underground than 99% of Kidnap's catalogue.

Energy:
calmer than 89% of Kidnap's catalogue
Low end:
more bass-heavy than 88% of Kidnap's catalogue
Groove:
groovier than 80% of Kidnap's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood40Balanced
Groove77
Acoustic1
Instrumental54
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Brokenhearted - Timo Mass & James Teej Remix in?

Brokenhearted - Timo Mass & James Teej Remix by Kidnap is in A♭ major, or 4B on the Camelot wheel.

What BPM is Brokenhearted - Timo Mass & James Teej Remix?

Brokenhearted - Timo Mass & James Teej Remix runs at 123 BPM, a club-tempo track.

What mixes well with Brokenhearted - Timo Mass & James Teej Remix?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Brokenhearted - Timo Mass & James Teej Remix good for peak time?

With energy 45 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 123 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More punk

#TrackKey·BPM

More from Kidnap

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.