Like You Used To by Kidnap cover art

Like You Used To

Kidnap

Key
4A · F minor
BPM
120
Open Key
9m
Energy
47/100
Pop
32/100
Length
3:52
Released
2014
Album
Stronger
Genre
Punk
Loudness
-10.5 dB
ISRC
GBMKA1486303

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 120 BPM in F minor (4A), Like You Used To is a club-tempo punk production. Tonally it lands dark and steady. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Calmer than 87% of Kidnap's catalogue. For programming, treat it as a mid-set roller.

Reach:
better known than 84% of Kidnap's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy47
Mood20Dark
Groove70
Acoustic11
Instrumental49
Live8
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Like You Used To in?

Like You Used To by Kidnap is in F minor, or 4A on the Camelot wheel.

What BPM is Like You Used To?

Like You Used To runs at 120 BPM, a club-tempo track.

What mixes well with Like You Used To?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Like You Used To good for peak time?

With energy 47 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More punk

#TrackKey·BPM

More from Kidnap

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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