Rain
- BPM
- 120
- Open Key
- 8m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 3:17
- Released
- 2025
- Album
- Aurora
- Genre
- Progressive House
- Loudness
- -16.3 dB
- ISRC
- QZTVM2569085
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in B♭ minor (3A), Rain is a club-tempo progressive house production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Leaving Laurel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of Leaving Laurel's catalogue
- Groove:
- groovier than 89% of Leaving Laurel's catalogue
- Brightness:
- brighter than 81% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rain in?
Rain by Leaving Laurel is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Rain?
Rain runs at 120 BPM, a club-tempo track.
What mixes well with Rain?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Rain good for peak time?
With energy 44 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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