Al Andalus - Juan Fierro Remix
30s preview
- BPM
- 120
- Open Key
- 8d
- Energy
- 46/100
- Pop
- 6/100
- Length
- 6:47
- Released
- 2012
- Album
- Amarte Asi
- Genre
- Deep House
- Loudness
- -17.0 dB
- Dynamics
- 11.9 dB
- ISRC
- USTJQ0900130
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Al Andalus - Edmund Jazzy Vibe Mixoriginal3A · 120
- Al Andalus - Original Mixoriginal3A · 120
- Al Andalus - Monocles & Slezz Al Mixoriginal3B · 120
Against the original (3A at 120 BPM), this version holds the same tempo and moves the key from 3A to 3B.
Al Andalus - Juan Fierro Remix runs 120 BPM in D♭ major (3B), a club-tempo deep house record. It reads as dark and steady. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Calmer than 93% of Pablo Fierro's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 93% of Pablo Fierro's catalogue
- Low end:
- more bass-heavy than 82% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Al Andalus - Juan Fierro Remix in?
Al Andalus - Juan Fierro Remix by Pablo Fierro is in D♭ major, or 3B on the Camelot wheel.
What BPM is Al Andalus - Juan Fierro Remix?
Al Andalus - Juan Fierro Remix runs at 120 BPM, a club-tempo track.
What mixes well with Al Andalus - Juan Fierro Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Al Andalus - Juan Fierro Remix good for peak time?
With energy 46 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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