Al Andalus - Edmund Jazzy Vibe Mix by Pablo Fierro cover art

Al Andalus - Edmund Jazzy Vibe Mix

Pablo Fierro

30s preview

Key
3A · B♭ minor
BPM
120
Open Key
8m
Energy
58/100
Pop
16/100
Length
6:13
Released
2012
Album
Amarte Asi
Genre
Deep House
Loudness
-9.3 dB
Dynamics
14.3 dB
ISRC
USTJQ0900131

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Al Andalus - Edmund Jazzy Vibe Mix is a club-tempo deep house track in B♭ minor (3A) at 120 BPM. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Slower than 93% of Pablo Fierro's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 92% of Pablo Fierro's catalogue
Low end:
more treble-tilted than 84% of Pablo Fierro's catalogue
Reach:
better known than 80% of Pablo Fierro's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood79Bright
Groove84
Acoustic0
Instrumental80
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Al Andalus - Edmund Jazzy Vibe Mix in?

Al Andalus - Edmund Jazzy Vibe Mix by Pablo Fierro is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Al Andalus - Edmund Jazzy Vibe Mix?

Al Andalus - Edmund Jazzy Vibe Mix runs at 120 BPM, a club-tempo track.

What mixes well with Al Andalus - Edmund Jazzy Vibe Mix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Al Andalus - Edmund Jazzy Vibe Mix good for peak time?

With energy 58 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Pablo Fierro

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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