No Place Like Gnome
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 58/100
- Pop
- 0/100
- Length
- 8:37
- Released
- 2013
- Genre
- House
- Loudness
- -9.9 dB
- Dynamics
- 12.4 dB
- ISRC
- DEU671300153
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, No Place Like Gnome sits in G major (9B) at 120 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Blond:ish's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 85% of Blond:ish's catalogue
- Brightness:
- brighter than 79% of Blond:ish's catalogue
- Energy:
- calmer than 77% of Blond:ish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is No Place Like Gnome in?
No Place Like Gnome by Blond:ish is in G major, or 9B on the Camelot wheel.
What BPM is No Place Like Gnome?
No Place Like Gnome runs at 120 BPM, a club-tempo track.
What mixes well with No Place Like Gnome?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is No Place Like Gnome good for peak time?
With energy 58 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Blond:ish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
