Stop, Look & Listen
- BPM
- 120
- Open Key
- 4d
- Energy
- 58/100
- Pop
- 4/100
- Length
- 13:47
- Released
- 2007
- Genre
- House
- Loudness
- -10.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop, Look & Listen - Henrik Schwarz Liveoriginal9A · 124
Stop, Look & Listen runs 120 BPM in A major (11B), a club-tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Groovier than 84% of Henrik Schwarz's catalogue.
- Tempo:
- slower than 82% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stop, Look & Listen in?
Stop, Look & Listen by Henrik Schwarz is in A major, or 11B on the Camelot wheel.
What BPM is Stop, Look & Listen?
Stop, Look & Listen runs at 120 BPM, a club-tempo track.
What mixes well with Stop, Look & Listen?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Stop, Look & Listen good for peak time?
With energy 58 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
