Stop, Look & Listen - Henrik Schwarz Live
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:46
- Released
- 2007
- Album
- Live (Digital Edition)
- Genre
- House
- Loudness
- -10.1 dB
- ISRC
- DEQ490700051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop, Look & Listenoriginal11B · 120
Against the original (11B at 120 BPM), this version runs 4 BPM faster and moves the key from 11B to 9A.
Stop, Look & Listen - Henrik Schwarz Live: club-tempo house, E minor (9A), 124 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Hotter than 99% of Henrik Schwarz's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stop, Look & Listen - Henrik Schwarz Live in?
Stop, Look & Listen - Henrik Schwarz Live by Henrik Schwarz is in E minor, or 9A on the Camelot wheel.
What BPM is Stop, Look & Listen - Henrik Schwarz Live?
Stop, Look & Listen - Henrik Schwarz Live runs at 124 BPM, a club-tempo track.
What mixes well with Stop, Look & Listen - Henrik Schwarz Live?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Stop, Look & Listen - Henrik Schwarz Live good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
