Original Love
30s preview
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 57/100
- Pop
- 0/100
- Length
- 7:18
- Released
- 2016
- Genre
- Tech House
- Loudness
- -10.4 dB
- Dynamics
- 9.7 dB
- ISRC
- DEH741650092
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Original Love: club-tempo tech house, F major (7B), 120 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 96% of Tim Engelhardt's catalogue
- Brightness:
- brighter than 90% of Tim Engelhardt's catalogue
- Groove:
- groovier than 89% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Original Love in?
Original Love by Tim Engelhardt is in F major, or 7B on the Camelot wheel.
What BPM is Original Love?
Original Love runs at 120 BPM, a club-tempo track.
What mixes well with Original Love?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Original Love good for peak time?
With energy 57 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
