Flying - Jamie Stevens Remix
30s preview
- Key
- 7A · D minor
- BPM
- 120
- Open Key
- 12m
- Energy
- 56/100
- Pop
- 1/100
- Length
- 7:04
- Released
- 2016
- Album
- Flying
- Genre
- Progressive House
- Loudness
- -14.3 dB
- Dynamics
- 12.5 dB
- ISRC
- US83Z1647804
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flying - Original Mixoriginal4A · 120
Against the original (4A at 120 BPM), this version holds the same tempo and moves the key from 4A to 7A.
Flying - Jamie Stevens Remix: club-tempo progressive house, D minor (7A), 120 BPM. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Darker than 99% of Michael A's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 97% of Michael A's catalogue
- Groove:
- less groove-driven than 94% of Michael A's catalogue
- Energy:
- calmer than 88% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Flying - Jamie Stevens Remix in?
Flying - Jamie Stevens Remix by Michael A is in D minor, or 7A on the Camelot wheel.
What BPM is Flying - Jamie Stevens Remix?
Flying - Jamie Stevens Remix runs at 120 BPM, a club-tempo track.
What mixes well with Flying - Jamie Stevens Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Flying - Jamie Stevens Remix good for peak time?
With energy 56 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 120 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
