Rosas - Constantijn Lange Remix by Viken Arman cover art

Rosas - Constantijn Lange Remix

Viken Arman

30s preview

Key
8A · A minor
BPM
120
Open Key
1m
Energy
45/100
Pop
0/100
Length
7:30
Released
2015
Album
PL004
Genre
Deep House
Loudness
-11.2 dB
Dynamics
14.5 dB
ISRC
DEPL91508044

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 110 BPM), this version runs 10 BPM faster and moves the key from 10A to 8A.

At 120 BPM in A minor (8A), Rosas - Constantijn Lange Remix is a club-tempo deep house production. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Viken Arman's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 83% of Viken Arman's catalogue
Low end:
more treble-tilted than 83% of Viken Arman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood45Balanced
Groove78
Acoustic0
Instrumental87
Live6
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Rosas - Constantijn Lange Remix in?

Rosas - Constantijn Lange Remix by Viken Arman is in A minor, or 8A on the Camelot wheel.

What BPM is Rosas - Constantijn Lange Remix?

Rosas - Constantijn Lange Remix runs at 120 BPM, a club-tempo track.

What mixes well with Rosas - Constantijn Lange Remix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Rosas - Constantijn Lange Remix good for peak time?

With energy 45 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Viken Arman

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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