Blisters - Johannes Brecht Radio Edit
- Key
- 6A · G minor
- BPM
- 120
- Open Key
- 11m
- Energy
- 43/100
- Pop
- 0/100
- Length
- 4:08
- Released
- 2016
- Album
- Blisters
- Genre
- Deep House
- Label
- Hedonism Music
- Loudness
- -12.4 dB
- ISRC
- DEM931550049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Blisters - Original Radio Editversion9A · 120
- Blisters - Third Son Radio Editversion10A · 120
A club-tempo deep house cut, Blisters - Johannes Brecht Radio Edit sits in G minor (6A) at 120 BPM. It reads as balanced in mood. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Betoko's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Betoko's catalogue
- Tempo:
- slower than 95% of Betoko's catalogue
- Brightness:
- brighter than 83% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Blisters - Johannes Brecht Radio Edit in?
Blisters - Johannes Brecht Radio Edit by Betoko is in G minor, or 6A on the Camelot wheel.
What BPM is Blisters - Johannes Brecht Radio Edit?
Blisters - Johannes Brecht Radio Edit runs at 120 BPM, a club-tempo track.
What mixes well with Blisters - Johannes Brecht Radio Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Blisters - Johannes Brecht Radio Edit good for peak time?
With energy 43 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 120 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
