The Light
- Key
- 4A · F minor
- BPM
- 115
- Open Key
- 9m
- Energy
- 71/100
- Pop
- 32/100
- Length
- 3:47
- Released
- 2026
- Genre
- Deep House
- Loudness
- -9.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Light is a mid-tempo deep house track in F minor (4A) at 115 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Less groove-driven than 98% of Viken Arman's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 96% of Viken Arman's catalogue
- Reach:
- better known than 90% of Viken Arman's catalogue
- Energy:
- hotter than 81% of Viken Arman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Light in?
The Light by Viken Arman is in F minor, or 4A on the Camelot wheel.
What BPM is The Light?
The Light runs at 115 BPM, a mid-tempo track.
What mixes well with The Light?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is The Light good for peak time?
With energy 71 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 115 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More deep house
More from Viken Arman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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