Walking Thru the Sky
30s preview
- BPM
- 120
- Open Key
- 9d
- Energy
- 48/100
- Pop
- 7/100
- Length
- 10:46
- Released
- 2014
- Album
- Roots Revisited
- Genre
- Deep House
- Loudness
- -14.7 dB
- Dynamics
- 10.3 dB
- ISRC
- DEZ651350685
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Walking Thru the Skyoriginal6A · 122
At 120 BPM in A♭ major (4B), Walking Thru the Sky is a club-tempo deep house production. The feel is dark and steady. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Darker than 92% of Theo Parrish's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 91% of Theo Parrish's catalogue
- Reach:
- better known than 80% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Walking Thru the Sky in?
Walking Thru the Sky by Theo Parrish is in A♭ major, or 4B on the Camelot wheel.
What BPM is Walking Thru the Sky?
Walking Thru the Sky runs at 120 BPM, a club-tempo track.
What mixes well with Walking Thru the Sky?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Walking Thru the Sky good for peak time?
With energy 48 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Change Your Mind (feat. Bernard Fowler) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
How to mix it
In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
![Kaiku [Kaiku] - Disco Version by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.