Get Up Away - Original Mix
- BPM
- 120
- Open Key
- 4d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2010
- Album
- Time To Change
- Genre
- Deep House
- Loudness
- -14.8 dB
- ISRC
- GBZUG0900054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Up Away - Shur-I-Kan Remixremix11A · 122
Get Up Away - Original Mix is a club-tempo deep house track in A major (11B) at 120 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Pablo Fierro's catalogue
- Tempo:
- slower than 93% of Pablo Fierro's catalogue
- Brightness:
- darker than 88% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get Up Away - Original Mix in?
Get Up Away - Original Mix by Pablo Fierro is in A major, or 11B on the Camelot wheel.
What BPM is Get Up Away - Original Mix?
Get Up Away - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with Get Up Away - Original Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Get Up Away - Original Mix good for peak time?
With energy 42 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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