Get Up Away - Shur-I-Kan Remix
30s preview
- BPM
- 122
- Open Key
- 4m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 6:41
- Released
- 2010
- Album
- Time To Change
- Genre
- Deep House
- Loudness
- -8.2 dB
- Dynamics
- 16.5 dB
- ISRC
- GBZUG0900053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Up Away - Original Mixoriginal11B · 120
Against the original (11B at 120 BPM), this version runs 2 BPM faster and moves the key from 11B to 11A.
A club-tempo deep house cut, Get Up Away - Shur-I-Kan Remix sits in F♯ minor (11A) at 122 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). A 2010 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 75% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Get Up Away - Shur-I-Kan Remix in?
Get Up Away - Shur-I-Kan Remix by Pablo Fierro is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Get Up Away - Shur-I-Kan Remix?
Get Up Away - Shur-I-Kan Remix runs at 122 BPM, a club-tempo track.
What mixes well with Get Up Away - Shur-I-Kan Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Get Up Away - Shur-I-Kan Remix good for peak time?
With energy 66 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
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How to mix it
In 11A at 122 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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