Always Fresh (Original Mix)
30s preview
- BPM
- 122
- Open Key
- 5d
- Energy
- 67/100
- Pop
- 19/100
- Length
- 6:38
- Released
- 2022
- Album
- Always Fresh
- Genre
- House
- Loudness
- -10.9 dB
- Dynamics
- 10.8 dB
- ISRC
- DK4P32103801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Always Fresh (Baime's ACAB Version)original10B · 119
Always Fresh (Original Mix) is a club-tempo house track in E major (12B) at 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 87% of Adam Ten's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 86% of Adam Ten's catalogue
- Brightness:
- darker than 84% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Always Fresh (Original Mix) in?
Always Fresh (Original Mix) by Adam Ten is in E major, or 12B on the Camelot wheel.
What BPM is Always Fresh (Original Mix)?
Always Fresh (Original Mix) runs at 122 BPM, a club-tempo track.
What mixes well with Always Fresh (Original Mix)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Always Fresh (Original Mix) good for peak time?
With energy 67 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 122 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Adam Ten
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.