Computer Madness (original) by Marc Romboy cover art

Computer Madness (original)

Marc Romboy

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
68/100
Pop
4/100
Length
6:27
Released
2005
Genre
Tech House
Loudness
-10.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Computer Madness (original): club-tempo tech house, D♭ major (3B), 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. Groovier than 85% of Marc Romboy's catalogue.

Tempo:
slower than 83% of Marc Romboy's catalogue
Brightness:
brighter than 76% of Marc Romboy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood47Balanced
Groove81
Acoustic0
Instrumental88
Live7
Speech6
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Computer Madness (original) in?

Computer Madness (original) by Marc Romboy is in D♭ major, or 3B on the Camelot wheel.

What BPM is Computer Madness (original)?

Computer Madness (original) runs at 122 BPM, a club-tempo track.

What mixes well with Computer Madness (original)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Computer Madness (original) good for peak time?

With energy 68 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Marc Romboy

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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