Voices From The Past - Santiago Garcia Remix
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 66/100
- Pop
- 1/100
- Length
- 8:08
- Released
- 2014
- Album
- Voices from the Past
- Genre
- Progressive House
- Loudness
- -8.0 dB
- Dynamics
- 12.1 dB
- ISRC
- US83Z1461508
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Voices From The Past - Original Mixoriginal3B · 122
- Voices From The Past - Sahar Z & Khen Frames Remixremix6B · 122
Against the original (3B at 122 BPM), this version holds the same tempo in the same key.
A club-tempo progressive house cut, Voices From The Past - Santiago Garcia Remix sits in D♭ major (3B) at 122 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Groovier than 98% of Khen's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 96% of Khen's catalogue
- Tempo:
- slower than 83% of Khen's catalogue
- Energy:
- calmer than 81% of Khen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Voices From The Past - Santiago Garcia Remix in?
Voices From The Past - Santiago Garcia Remix by Khen is in D♭ major, or 3B on the Camelot wheel.
What BPM is Voices From The Past - Santiago Garcia Remix?
Voices From The Past - Santiago Garcia Remix runs at 122 BPM, a club-tempo track.
What mixes well with Voices From The Past - Santiago Garcia Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Voices From The Past - Santiago Garcia Remix good for peak time?
With energy 66 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Khen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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