Voices From The Past - Sahar Z & Khen Frames Remix
- BPM
- 122
- Open Key
- 11d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 10:35
- Released
- 2014
- Album
- Voices from the Past
- Genre
- Progressive House
- Loudness
- -8.7 dB
- ISRC
- US83Z1461509
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Voices From The Past - Santiago Garcia Remixremix3B · 122
- Voices From The Past - Original Mixoriginal3B · 122
Against the original (3B at 122 BPM), this version holds the same tempo and moves the key from 3B to 6B.
Voices From The Past - Sahar Z & Khen Frames Remix runs 122 BPM in B♭ major (6B), a club-tempo progressive house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. A 2014 production that still circulates in sets. More underground than 99% of Khen's catalogue. In a set it works best as a floor-filler.
- Groove:
- less groove-driven than 91% of Khen's catalogue
- Tempo:
- slower than 83% of Khen's catalogue
- Brightness:
- brighter than 81% of Khen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Voices From The Past - Sahar Z & Khen Frames Remix in?
Voices From The Past - Sahar Z & Khen Frames Remix by Khen is in B♭ major, or 6B on the Camelot wheel.
What BPM is Voices From The Past - Sahar Z & Khen Frames Remix?
Voices From The Past - Sahar Z & Khen Frames Remix runs at 122 BPM, a club-tempo track.
What mixes well with Voices From The Past - Sahar Z & Khen Frames Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Voices From The Past - Sahar Z & Khen Frames Remix good for peak time?
With energy 85 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 122 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Khen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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