First Contact - Jacme Remix
30s preview
- Key
- 1B · B major
- BPM
- 122
- Open Key
- 6d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 7:56
- Released
- 2020
- Album
- 20 Years of Poker Flat Remix Contest - First Contact
- Genre
- Tech House
- Loudness
- -8.5 dB
- Dynamics
- 9.3 dB
- ISRC
- DEL022020051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- First Contactoriginal7B · 124
- First Contact - Maxie König Remixremix10A · 124
- First Contact - Okayshades Remixremix4B · 124
- First Contact - Beatless Tooloriginal7B · 124
Against the original (7B at 124 BPM), this version runs 2 BPM slower and moves the key from 7B to 1B.
A club-tempo tech house cut, First Contact - Jacme Remix sits in B major (1B) at 122 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Tim Engelhardt's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 98% of Tim Engelhardt's catalogue
- Energy:
- hotter than 86% of Tim Engelhardt's catalogue
- Low end:
- more treble-tilted than 85% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is First Contact - Jacme Remix in?
First Contact - Jacme Remix by Tim Engelhardt is in B major, or 1B on the Camelot wheel.
What BPM is First Contact - Jacme Remix?
First Contact - Jacme Remix runs at 122 BPM, a club-tempo track.
What mixes well with First Contact - Jacme Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is First Contact - Jacme Remix good for peak time?
With energy 85 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![No Drama [extended mix] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
How to mix it
In 1B at 122 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
