Another Bump in the Night - Zombieland Mix
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:57
- Released
- 2012
- Album
- Another Bump In The Night (Zombieland Mix)
- Genre
- House
- Loudness
- -9.9 dB
- Dynamics
- 15.5 dB
- ISRC
- NLZ501200026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in F♯ major (2B), Another Bump in the Night - Zombieland Mix is a club-tempo house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 94% of Gene Farris's catalogue
- Groove:
- less groove-driven than 78% of Gene Farris's catalogue
- Brightness:
- brighter than 75% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 22%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Another Bump in the Night - Zombieland Mix in?
Another Bump in the Night - Zombieland Mix by Gene Farris is in F♯ major, or 2B on the Camelot wheel.
What BPM is Another Bump in the Night - Zombieland Mix?
Another Bump in the Night - Zombieland Mix runs at 122 BPM, a club-tempo track.
What mixes well with Another Bump in the Night - Zombieland Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Another Bump in the Night - Zombieland Mix good for peak time?
With energy 85 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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