And in Me Too the Wave Rises
30s preview
- BPM
- 119
- Open Key
- 6m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 4:32
- Released
- 2017
- Album
- Skin
- Genre
- Punk
- Loudness
- -13.9 dB
- Dynamics
- 19.9 dB
- ISRC
- GBKPL1793527
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 119 BPM in A♭ minor (1A), And in Me Too the Wave Rises is a club-tempo punk production. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2017 production that still circulates in sets. More underground than 99% of Kidnap's catalogue.
- Low end:
- more treble-tilted than 99% of Kidnap's catalogue
- Groove:
- less groove-driven than 93% of Kidnap's catalogue
- Energy:
- calmer than 90% of Kidnap's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is And in Me Too the Wave Rises in?
And in Me Too the Wave Rises by Kidnap is in A♭ minor, or 1A on the Camelot wheel.
What BPM is And in Me Too the Wave Rises?
And in Me Too the Wave Rises runs at 119 BPM, a club-tempo track.
What mixes well with And in Me Too the Wave Rises?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is And in Me Too the Wave Rises good for peak time?
With energy 39 out of 100 at 119 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 119 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More punk
More from Kidnap
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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