Sublime Frequencies of Cairo
30s preview
- Key
- 9B · G major
- BPM
- 119
- Open Key
- 2d
- Energy
- 40/100
- Pop
- 15/100
- Length
- 8:08
- Released
- 2020
- Genre
- Minimal
- Loudness
- -12.6 dB
- Dynamics
- 8.8 dB
- ISRC
- DEL022207006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 119 BPM in G major (9B), Sublime Frequencies of Cairo is a club-tempo minimal production. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 95% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 76% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 55%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Sublime Frequencies of Cairo in?
Sublime Frequencies of Cairo by Acid Pauli is in G major, or 9B on the Camelot wheel.
What BPM is Sublime Frequencies of Cairo?
Sublime Frequencies of Cairo runs at 119 BPM, a club-tempo track.
What mixes well with Sublime Frequencies of Cairo?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Sublime Frequencies of Cairo good for peak time?
With energy 40 out of 100 at 119 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 119 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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