The Angel's Hand
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 39/100
- Pop
- 4/100
- Length
- 8:13
- Released
- 2023
- Genre
- Minimal
- Loudness
- -11.1 dB
- Dynamics
- 14.6 dB
- ISRC
- FXQ932300080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo minimal cut, The Angel's Hand sits in B♭ minor (3A) at 120 BPM. The feel is brooding and low-slung. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Less groove-driven than 90% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 82% of Acid Pauli's catalogue
- Brightness:
- darker than 81% of Acid Pauli's catalogue
- Energy:
- calmer than 78% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is The Angel's Hand in?
The Angel's Hand by Acid Pauli is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Angel's Hand?
The Angel's Hand runs at 120 BPM, a club-tempo track.
What mixes well with The Angel's Hand?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Angel's Hand good for peak time?
With energy 39 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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