Intro
30s preview
- BPM
- 118
- Open Key
- 3d
- Energy
- 41/100
- Pop
- 0/100
- Length
- 2:20
- Released
- 2016
- Album
- Catch Me If You Can
- Genre
- Tech House
- Loudness
- -12.5 dB
- Dynamics
- 10.6 dB
- ISRC
- GBBXG1600001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 118 BPM in D major (10B), Intro is a mid-tempo tech house production. The feel is bright and easy. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Less groove-driven than 99% of Max Chapman's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Max Chapman's catalogue
- Energy:
- calmer than 98% of Max Chapman's catalogue
- Tempo:
- slower than 98% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Intro in?
Intro by Max Chapman is in D major, or 10B on the Camelot wheel.
What BPM is Intro?
Intro runs at 118 BPM, a mid-tempo track.
What mixes well with Intro?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Intro good for peak time?
With energy 41 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 118 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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