The Ballad For The Big Ones - Julian Mc Cain Remix by Jos & Eli cover art

The Ballad For The Big Ones - Julian Mc Cain Remix

Jos & Eli

30s preview

Key
1B · B major
BPM
118
Open Key
6d
Energy
37/100
Pop
0/100
Length
8:46
Released
2014
Album
The Ballad For The Big Ones
Genre
Progressive House
Loudness
-17.7 dB
Dynamics
15.5 dB
ISRC
IL4611400418

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 123 BPM), this version runs 5 BPM slower and moves the key from 11A to 1B.

The Ballad For The Big Ones - Julian Mc Cain Remix is a mid-tempo progressive house track in B major (1B) at 118 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2014 production that still circulates in sets. Calmer than 99% of Jos & Eli's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 99% of Jos & Eli's catalogue
Reach:
more underground than 99% of Jos & Eli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood22Dark
Groove78
Acoustic23
Instrumental87
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is The Ballad For The Big Ones - Julian Mc Cain Remix in?

The Ballad For The Big Ones - Julian Mc Cain Remix by Jos & Eli is in B major, or 1B on the Camelot wheel.

What BPM is The Ballad For The Big Ones - Julian Mc Cain Remix?

The Ballad For The Big Ones - Julian Mc Cain Remix runs at 118 BPM, a mid-tempo track.

What mixes well with The Ballad For The Big Ones - Julian Mc Cain Remix?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is The Ballad For The Big Ones - Julian Mc Cain Remix good for peak time?

With energy 37 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#TrackKey·BPM

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 118 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive house

#TrackKey·BPM

More from Jos & Eli

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.