They Are Coming
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 73/100
- Pop
- 24/100
- Length
- 6:19
- Released
- 2024
- Genre
- Progressive House
- Loudness
- -8.8 dB
- ISRC
- FR96X2416146
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, They Are Coming sits in F minor (4A) at 124 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Better known than 91% of Jos & Eli's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 83% of Jos & Eli's catalogue
- Tempo:
- faster than 81% of Jos & Eli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is They Are Coming in?
They Are Coming by Jos & Eli is in F minor, or 4A on the Camelot wheel.
What BPM is They Are Coming?
They Are Coming runs at 124 BPM, a club-tempo track.
What mixes well with They Are Coming?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is They Are Coming good for peak time?
With energy 73 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Jos & Eli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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