Get Up
30s preview
- BPM
- 117
- Open Key
- 5d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 5:33
- Released
- 1992
- Album
- Panic EP
- Genre
- Deep House
- Loudness
- -10.9 dB
- Dynamics
- 11.0 dB
- ISRC
- GBBXG0920124
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Up runs 117 BPM in E major (12B), a mid-tempo deep house record. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 1992 production that still circulates in sets. Slower than 99% of Kerri Chandler's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Kerri Chandler's catalogue
- Energy:
- calmer than 98% of Kerri Chandler's catalogue
- Low end:
- more bass-heavy than 90% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Get Up in?
Get Up by Kerri Chandler is in E major, or 12B on the Camelot wheel.
What BPM is Get Up?
Get Up runs at 117 BPM, a mid-tempo track.
What mixes well with Get Up?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Get Up good for peak time?
With energy 42 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 117 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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