Kites on Pluto
30s preview
- Key
- 8B · C major
- BPM
- 117
- Open Key
- 1d
- Energy
- 45/100
- Pop
- 2/100
- Length
- 10:00
- Released
- 2010
- Genre
- Deep House
- Loudness
- -19.8 dB
- Dynamics
- 15.7 dB
- ISRC
- DEZ651213893
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo deep house cut, Kites on Pluto sits in C major (8B) at 117 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2010 production that still circulates in sets. More bass-heavy than 84% of Theo Parrish's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 83% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Kites on Pluto in?
Kites on Pluto by Theo Parrish is in C major, or 8B on the Camelot wheel.
What BPM is Kites on Pluto?
Kites on Pluto runs at 117 BPM, a mid-tempo track.
What mixes well with Kites on Pluto?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Kites on Pluto good for peak time?
With energy 45 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 117 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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