Can't Get over It - Kaoz 6:23 Mix
30s preview
- Key
- 8A · A minor
- BPM
- 117
- Open Key
- 1m
- Energy
- 40/100
- Pop
- 0/100
- Length
- 5:30
- Released
- 2011
- Album
- Kerri Chandler: The Remixes
- Genre
- Deep House
- Loudness
- -13.3 dB
- Dynamics
- 12.7 dB
- ISRC
- GBBXG1120053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Can't Get over It - Kaoz 6:23 Mix is a mid-tempo deep house track in A minor (8A) at 117 BPM. The feel is warm and mellow. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. Slower than 99% of Kerri Chandler's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Kerri Chandler's catalogue
- Energy:
- calmer than 98% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Can't Get over It - Kaoz 6:23 Mix in?
Can't Get over It - Kaoz 6:23 Mix by Kerri Chandler is in A minor, or 8A on the Camelot wheel.
What BPM is Can't Get over It - Kaoz 6:23 Mix?
Can't Get over It - Kaoz 6:23 Mix runs at 117 BPM, a mid-tempo track.
What mixes well with Can't Get over It - Kaoz 6:23 Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Can't Get over It - Kaoz 6:23 Mix good for peak time?
With energy 40 out of 100 at 117 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 117 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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