Like You Used To (Fur Coat Remix)
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 47/100
- Pop
- 16/100
- Length
- 8:30
- Released
- 2014
- Album
- Like You Used to (Fur Coat Remix)
- Genre
- Punk
- Loudness
- -12.8 dB
- Dynamics
- 12.8 dB
- ISRC
- FR4GL1077468
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Like You Used Tooriginal4A · 120
Against the original (4A at 120 BPM), this version runs 2 BPM faster and moves the key from 4A to 3B.
A club-tempo punk cut, Like You Used To (Fur Coat Remix) sits in D♭ major (3B) at 122 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Calmer than 86% of Kidnap's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 79% of Kidnap's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Like You Used To (Fur Coat Remix) in?
Like You Used To (Fur Coat Remix) by Kidnap is in D♭ major, or 3B on the Camelot wheel.
What BPM is Like You Used To (Fur Coat Remix)?
Like You Used To (Fur Coat Remix) runs at 122 BPM, a club-tempo track.
What mixes well with Like You Used To (Fur Coat Remix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Like You Used To (Fur Coat Remix) good for peak time?
With energy 47 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More punk
More from Kidnap
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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