Bogotá
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 44/100
- Pop
- 0/100
- Length
- 8:34
- Released
- 2016
- Album
- Bogotá EP
- Genre
- Deep House
- Loudness
- -12.6 dB
- Dynamics
- 10.3 dB
- ISRC
- DEPX41600164
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in F♯ major (2B), Bogotá is a club-tempo deep house production. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Jimi Jules's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 94% of Jimi Jules's catalogue
- Groove:
- groovier than 94% of Jimi Jules's catalogue
- Low end:
- more bass-heavy than 89% of Jimi Jules's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Bogotá in?
Bogotá by Jimi Jules is in F♯ major, or 2B on the Camelot wheel.
What BPM is Bogotá?
Bogotá runs at 122 BPM, a club-tempo track.
What mixes well with Bogotá?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Bogotá good for peak time?
With energy 44 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Jimi Jules
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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