Stop Jealousy - Santos Dub
- BPM
- 122
- Open Key
- 8d
- Energy
- 46/100
- Pop
- 0/100
- Length
- 8:09
- Released
- 2009
- Album
- Stop Jealousy
- Genre
- Deep House
- Loudness
- -11.7 dB
- ISRC
- GBKQU1922159
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop Jealousy - Ancestral Dubversion3B · 120
- Stop Jealousy - Ancestral Soul Mixoriginal3B · 120
- Stop Jealousy - Ancestrumental Mixoriginal2A · 120
- Stop Jealousy - Boddhi Beatsoriginal2A · 120
- Stop Jealousy - Culoe De Song Shelt Editversion2B · 124
- Stop Jealousy - Dubstrumentalversion3A · 120
Against the original (3B at 120 BPM), this version runs 2 BPM faster in the same key.
Stop Jealousy - Santos Dub: club-tempo deep house, D♭ major (3B), 122 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 87% of Boddhi Satva's catalogue
Sonic profile
FAQ
What key is Stop Jealousy - Santos Dub in?
Stop Jealousy - Santos Dub by Boddhi Satva is in D♭ major, or 3B on the Camelot wheel.
What BPM is Stop Jealousy - Santos Dub?
Stop Jealousy - Santos Dub runs at 122 BPM, a club-tempo track.
What mixes well with Stop Jealousy - Santos Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Stop Jealousy - Santos Dub good for peak time?
With energy 46 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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