Stop Jealousy - Dubstrumental
- BPM
- 120
- Open Key
- 8m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 7:05
- Released
- 2014
- Album
- The Remixes
- Genre
- Deep House
- Loudness
- -10.3 dB
- ISRC
- GBEQT1400102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop Jealousy - Ancestral Dubversion3B · 120
- Stop Jealousy - Ancestral Soul Mixoriginal3B · 120
- Stop Jealousy - Ancestrumental Mixoriginal2A · 120
- Stop Jealousy - Boddhi Beatsoriginal2A · 120
- Stop Jealousy - Culoe De Song Shelt Editversion2B · 124
- Stop Jealousy - Instrumental Mixoriginal3A · 122
Against the original (3B at 120 BPM), this version holds the same tempo and moves the key from 3B to 3A.
At 120 BPM in B♭ minor (3A), Stop Jealousy - Dubstrumental is a club-tempo deep house production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 86% of Boddhi Satva's catalogue
- Groove:
- groovier than 79% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stop Jealousy - Dubstrumental in?
Stop Jealousy - Dubstrumental by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Stop Jealousy - Dubstrumental?
Stop Jealousy - Dubstrumental runs at 120 BPM, a club-tempo track.
What mixes well with Stop Jealousy - Dubstrumental?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Stop Jealousy - Dubstrumental good for peak time?
With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.