Stop Jealousy - Instrumental Mix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 8:07
- Released
- 2009
- Album
- Stop Jealousy
- Genre
- Deep House
- Loudness
- -11.9 dB
- Dynamics
- 13.0 dB
- ISRC
- GBKQU1922156
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop Jealousy - Ancestral Dubversion3B · 120
- Stop Jealousy - Ancestral Soul Mixoriginal3B · 120
- Stop Jealousy - Ancestrumental Mixoriginal2A · 120
- Stop Jealousy - Boddhi Beatsoriginal2A · 120
- Stop Jealousy - Culoe De Song Shelt Editversion2B · 124
- Stop Jealousy - Dubstrumentalversion3A · 120
Against the original (3B at 120 BPM), this version runs 2 BPM faster and moves the key from 3B to 3A.
A club-tempo deep house cut, Stop Jealousy - Instrumental Mix sits in B♭ minor (3A) at 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2009 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue.
- Brightness:
- brighter than 83% of Boddhi Satva's catalogue
- Groove:
- less groove-driven than 79% of Boddhi Satva's catalogue
- Energy:
- calmer than 76% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Stop Jealousy - Instrumental Mix in?
Stop Jealousy - Instrumental Mix by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Stop Jealousy - Instrumental Mix?
Stop Jealousy - Instrumental Mix runs at 122 BPM, a club-tempo track.
What mixes well with Stop Jealousy - Instrumental Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Stop Jealousy - Instrumental Mix good for peak time?
With energy 52 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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